Any leads on somali architecture and craftsmanship traditions

I was just looking through some olde thread and I got curious about these aqal designs and the patterns on these houses. I dont think I've ever encountered these before. Did you find anything more on these @Idilinaa . And why does nobody crate aqals that look that nice anymore. All rhe ones ive seen in real life or in pics dont look anywhere near that nice.


There are 3 types of homes in pre-colonial Somalia.

Grouped into two camps: Vernacular which are houses constructed by non-professionals with readily available material with less cost and non-vernacular which are homes built by professionals and are more costly.

Carrishes: (Vernacular)
These were permanent houses constructed with wood and palm trees
Not really sure, how they looked in the interior, but i assume they were furnished similar to the stone houses they exist next to which i'll explain in a few. They were multi-room complex dwellings
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View attachment 346288


Mundul (Vernacular)
These are round dwellings near river flood plains, in agricultural locations. Usually built with available materials near by like wattle and daub , unlike other areas there are no stone quarries near it. The two main stone quarries in the south are on the coast or near the Bur area(Mountains), flood plains and sand dunes separating the coast made it difficult to transport building blocks to that area.

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Interior:

Unlike the Carrishes these weren't multi room complexed and had at most room for 2 with little furniture other than beds, agricultural implements and tools.
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Dar: (Non-Vernacular)

These are stone houses, usually built out of limestone and sun dried bricks that are later whitewashed with coral lime that is burned, to give it the white smooth exterior. Unlike the wooden carrishes these buildings usually had flat roofs. They usually had wooden carved windows and doors with elaborate geometric motifs. Sometimes wooden balconies.

This is what the merchant class, and the rich upper classes lived in commercial towns/cities, because they required quarrying, expertise, transport and man power, direction, it required a bit of wealth to finance it's constructions.
(Zayla)
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Somali laborers constructing stone house using traditional methods:
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The exterior:


A representation of a Somali traditional carved window frame usually added to the stone walls:
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Carved window frames from an old home in the coastal town of Xaabo
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Doorways:

A representation of Somali traditional doorway with decorative carving.
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Old carved door way in Bosaso

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Carved doorways in rich villas/palaces/forts

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Sultans Osmans Bargaal resident door

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You can also see in some old ruined houses they had these wooden carved balconies:
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Interior:

i wanted to add a picture of an empty interior of a normal 1 storey stone home that was posted by puntite.com but i can't find it anymore.

From pre-colonial description's i've seen they usually had mat couches, pillows and the floors covered in carpets kinda like what you seen in this picture. The interior walls looked similar to this as well, with open cupboards you can place stuff
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Ruined interior design of one of the seasonal villas of Sultan Osman Mohamuud at the coastal town of Bargaal
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It's kinda of a tragedy as some posters on here remarked, modern Somali homes really don't take inspiration from this.

Only some of the furniture (except for the wooden ones) is mostly similar with the carpets, mat couches, they pretty much abandoned the geometric motifs and the elaborate stone carvings and wooden decorations, an artistic style we pioneered in spreading to the Swahili coastal cities

These artistic carved expressions used to be proudly be displayed in Somali Museums:
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Aqal

I don't really regard Aqal as a traditional Somali home, it's more like a make shift temporary camp. But it fits the vernacular style, infact it's more elaborate then the bedouin tents i see in North Africa and Middle East and is similar to the Yurt of Mongolia. Its constructed usually with wooden beams and poles covered with mats/carpets that are collapsible.

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View attachment 346290

This is one of the pitfalls of modernization:
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Wether there be walls of a building, doors, spoons, stools, bowls, chairs, woven matts , gold ornaments , leather products, and quranic lecterns was an embellishment of lines of consistent patterns and geometric designs

These geometric designs on walls and doors used to be a continued common place until late:
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This is a better pic of the aqal
Aqal

I don't really regard Aqal as a traditional Somali home, it's more like a make shift temporary camp. But it fits the vernacular style, infact it's more elaborate then the bedouin tents i see in North Africa and Middle East and is similar to the Yurt of Mongolia. Its constructed usually with wooden beams and poles covered with mats/carpets that are collapsible.

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Aqal was temporary housing made of sticks and straws our ancestors came up with when they were displaced

Traditional stone Somali home was whitewashed at least once a year (sometimes other colours)

Most had tatched roofs in the countryside

something that was observed in ancient sites like Opone as well as medieval sites is how they had courtyards inside the home with a tree in the middle just like today

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If you have family back home chances are you noticed this style of walled courtyards with a tree in the middle

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I don't even know how we managed to preserve our architecture for that long this is honestly impressive

You could go back 2000 years or 1000 years and you would find the same style of architecture
 
I don't even know how we managed to preserve our architecture for that long this is honestly impressive

You could go back 2000 years or 1000 years and you would find the same style of architecture
Crazy how these traditions and architecture were preserved. It honestly makes me even more interested in what wasn't preserved.

Maybe those symbols i. The houses were way more intricate Maybe there was even figurative decorations.
 
Here is a painting by a Somali painter

Image


Italian painting, this is the one that illustrates the medieval somali village the best, with the tatched roof
lidio-ajmone_mogadiscio_somalia-italiana_2.jpg


For comparison here is the ruins of a medieval somali home in galbeed, you can see how the roof was basically wood with tatch, and the chinese also document homes with tatched roofs, they tried restoring it

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Another italian painting
Lidio Ajmone pittore dimenticato della Somalia Italiana | Faro Francesco  Crispi - Cape Guardafui, Somalia A.O.I.
 

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Here is a painting by a Somali painter

Italian painting, this is the one that illustrates the medieval somali village the best, with the tatched roof
lidio-ajmone_mogadiscio_somalia-italiana_2.jpg


For comparison here is the ruins of a medieval somali home in galbeed, you can see how the roof was basically wood with tatch, and the chinese also document homes with tatched roofs, they tried restoring it

View attachment 364259

Another italian painting
Lidio Ajmone pittore dimenticato della Somalia Italiana | Faro Francesco  Crispi - Cape Guardafui, Somalia A.O.I.
I Honestly want to see more attempts at reconstruction and the bringing back of these old techniques with maybe a slightly modern spin

Its definitely possible I mean look at the jubaad project or that one somali lady who does those beautiful textiles.
 

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